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            Amplitudes: The Mesa Boogie Blog

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            Artist, Tones And Tips, Video

            Video: Soundgarden & Kim Thayil Rig ~ San Francisco, CA ~ July 21, 2011

            Soundgarden guitarist Kim Thayil's MESA/Boogie Electra Dyne, Tremoverb, Stiletto 4x12 rig
            Soundgarden guitarist Kim Thayil's MESA/Boogie Electra Dyne, Tremoverb, Stiletto 4x12 rig

            Soundgarden was spot on for their recent show at the Bill Graham Civic Auditorium in San Francisco, CA. It has been 15 years since they played in San Francisco but it was as if they hadn't missed a thing. Chris Cornell sounded amazing and was on fire all night. Matt Cameron reminded us how much harder he pounds the drums in SG than he does with Pearl Jam. Kim Thayil worked his meaty riffs and tone with a knowing smirk throughout the 20 song set. Ben Shepherd held it down low and steady. He and Matt are the anchor and gauge for how heavy Soundgarden sounds.

            Mesa caught up with the guys during soundcheck. The vibe was light and all smiles from the band and crew. Kim and Ben were kind enough to give us some time for some photos and tone talk...

            Kim Thayil of Soundgarden and his MESA/Boogie Electradyne/Tremoverb combo rig in 2011
            Kim Thayil of Soundgarden and his MESA/Boogie Electradyne/Tremoverb combo rig in 2011

            Kim Thayil's guitar tech, Josh Evans gave us a run down of Kim's Mesa/Boogie rig in the following video:

            Kim Thayil's guitar signal routing is as follows:

            Guitar (Guild S-100) > Wireless > Boss TU-2 Tuner > EHX Micro POG > Lehle Little Looper  > Dunlop/CAE wah > Dunlop Rotovibe > T-Rex Reptile Delay > Lehle P-Split passive splitter > Electradyne (90 watts with two 4x12 Stiletto Slant cabs) and the Tremoverb Combo.

            The Lehle switches the MXR Doubleshot Distortion and Boss NS-2 gate in/out of the signal path with one switch. The gate is used because there is too much gain with the MXR causing the guitar to squeal. Kim doesn't want a gate on his signal all the time because he does a lot of low-level, subtle techniques that would get lost with a gate.

            The Hughes & Kettner Rotosphere is in the FX loop of the Electradyne (to get a clean signal from the Rotosphere AND to provide a wet/dry combination of amps - the Electradyne has the leslie effect but the Tremoverb does not).

            The Radial Big Shot pedals are used to switch channels on the Tremoverb (via external switching jacks on rear panel) and to control on/off and speed of the Rotosphere.

            Kim Thayil hanging around the rig to feel the punch and crunch from ElectraDynes and Tremoverbs
            Kim Thayil hanging around the rig to feel the punch and crunch from ElectraDynes and Tremoverbs

            Here are Kim's current 'go to' settings on the ElectraDyne.

            Kim Thayil/Soundgarden ElectraDyne Settings
            Kim Thayil/Soundgarden ElectraDyne Settings

            (Note the use of the LOW Gain mode of the ElectraDyne 2nd Channel with moderately low gain (volume) settings.  It doesn't necessarily take high gain settings to deliver amazing high gain sounds. Kim utilizes all of the Electradyne and Tremoverb modes in different configurations throughout the set to achieve the many distinct Soundgarden tones.)

            Soundgarden's Kim Thayil stalks the stage at the Bill Graham Civic Auditorium in San Francisco, CA
            Soundgarden's Kim Thayil stalks the stage at the Bill Graham Civic Auditorium in San Francisco, CA

            Kim Thayil and his MESA/Boogie rig on Soundgarden's 2011 Tour
            Kim Thayil and his MESA/Boogie rig on Soundgarden's 2011 Tour

            Thanks to Kim Thayil and Soundgarden for the hospitality at this show and throughout the 2011 Soundgarden Tour.  Kim and Soundgarden have been iconic representatives of Mesa tone since their beginning and continue to deliver some of the best rock sounds in the history of the genre that they practically created.  We are proud to be a part of it!

            Thanks to Josh Evans and Neil Hundt for their dedication and generous hospitatlity.

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